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inherent to patriarchy and the sexual division of labor which occurred at the dawn of class society”.‘Cloud Nine’ ignores this reality and caters to these inherent interests of white patriarchal sexual consumption, thereby contributing to the disenfranchisement of workers and effectively “ignor[ing] the humanity of the cam girl”.Habe auch mit meinem Freund drüber gesprochen ob er es schlimm finden würde wenn ich mir damit nebensächlich ein paar Euro dazu verdiene…

Now on your knees slave and get ready to serve Mistress World At Mistress World your privacy is our utmost priority, and because of that fact, we secure your personal data with a multifaceted security standard called PCI DSS which meets all international security measures.Kate Durbin claims the ambition of her recent performance piece, ‘Cloud Nine’, is to help, as she states in her broadcast, “draw attention to the financial difficulties of the lives of female artists.” She attempts this by crowdsourcing stories of “what [women] do for money,” removing the identifying details, and performing them in a simulcast commissioned by , Durbin states: “the cam girl aspect of the project means I am also playing with gender and the idea of the female fantasy ‘object’…basically, I’m interested in how women’s bodies are commodities in both the art world and the sex industry, how those bodies are both hyper-visible and invisible.” Except that Durbin herself is not a cam girl, nor has she ever done sex work–she is simply “performing as a cam girl…collapsing the cam girl into the female artist.” is due to the fact that, in nearly every sex-working context, white bodies are more highly valued, effectively whitewashing these narratives twice over.The sex industry exploits in alignment with, to paraphrase sex worker and advocate Rebeka Refuse in her interview with , the “system of commodifying sexual labor…